Lyrical Strains, Liberalism and Women's Poetry in Nineteenth-Century America, The University of North Carolina Press, Elissa Zellinger,Poetry,LITERARY CRITICISM, Nineteenth-century American women’s poetry; Lyric poetry; Nineteenth-century American Poetess; U.S. Women’s Rights movement; Liberalism; Nineteenth-century American literature; Nineteenth-century American selfhood; Nineteenth-century American publishing industry; Poetic performance; John Stuart Mill; Ralph Waldo Emerson; Frances Sargent Osgood; Elizabeth Oakes Smith; The Sinless Child; Frances Ellen Watkins Harper; Enslaved mothers; Edna St. Vincent Millay; E. (Emily) Pauline Johnson; “Ojistoh”; Tekahionwake; Lyric theory; Political philosophy; Lyricization; Lyrical strains; Poetess poetry; “There Are No Islands Anymore”; “The Slave Mother”,, , United States, en-UShttps://uncpress.orgNineteenth-century American women’s poetry; Lyric poetry; Nineteenth-century American Poetess; U.S. Women’s Rights movement; Liberalism; Nineteenth-century American literature; Nineteenth-century American selfhood; Nineteenth-century American publishing industry; Poetic performance; John Stuart Mill; Ralph Waldo Emerson; Frances Sargent Osgood; Elizabeth Oakes Smith; The Sinless Child; Frances Ellen Watkins Harper; Enslaved mothers; Edna St. Vincent Millay; E. (Emily) Pauline Johnson; “Ojistoh”; Tekahionwake; Lyric theory; Political philosophy; Lyricization; Lyrical strains; Poetess poetry; “There Are No Islands Anymore”; “The Slave Mother”, [BLURB],[CITY],NC,books, ebooks, biblet, Book2look