Rooted Jazz Dance, Africanist Aesthetics and Equity in the Twenty-First Century, University Press of Florida, Carlos R.A. Jones, Lindsay Guarino, Wendy Oliver,Dance/Jazz,PERFORMING ARTS, Reparations;American Jazz Dance;Technique;George Floyd;contemporary jazz;Kennedy Center Award;transatlantic slave trade;Covid-19;Dance Magazine Award;Jazz Dance;Codification;Choreography;equity;performance;Jazz Music;Lindy Hop;African roots;Dance Education;Capezio Award;Gus Giordano;African American vernacular;Camel Walk;Concert Jazz;White Supremacy;Appropriation;racism;African American History;non-profit dance companies;African American Dance;Pedagogy;James Brown;call-and-response;jazz dance companies;Africanist aesthetic;critical race theory,, , United States, en-UShttp://www.upf.comReparations;American Jazz Dance;Technique;George Floyd;contemporary jazz;Kennedy Center Award;transatlantic slave trade;Covid-19;Dance Magazine Award;Jazz Dance;Codification;Choreography;equity;performance;Jazz Music;Lindy Hop;African roots;Dance Education;Capezio Award;Gus Giordano;African American vernacular;Camel Walk;Concert Jazz;White Supremacy;Appropriation;racism;African American History;non-profit dance companies;African American Dance;Pedagogy;James Brown;call-and-response;jazz dance companies;Africanist aesthetic;critical race theory, [BLURB],[CITY],,books, ebooks, biblet, Book2look