Remaking Reality, U.S. Documentary Culture after 1945, The University of North Carolina Press, Sara Blair,United States/20th Century,HISTORY, Documentary photography; documentary writing; documentary sound; documentary film; cinema; documentary after 1945; witnessing; image-text; temporality; documentary expression; psychiatry; Civil Rights movement; atomic bomb; labor; neoliberalism; pedagogy; political activism; post-WWII social movements; World War II; U.S. war in Vietnam; environmentalism; war trauma; deportation; slow time; ecocrisis; images, materiality of; counter-documents; Army Signal Corps; Richard Avedon; Guy and Candie Carawan; Rachel Carson; Freedom in the Air; John Hersey; Highlander Folk School; Historian’s Eye; John Huston; Robert Jay Lifton; National Immigration Youth Association; Keiji Nakazawa; Occupy; Milton Rogovin; Martha Rosler; Allen Sekula; Student Nonviolent Coordinating Committee; “Thanks to Berkeley…:; Frederick,, , United States, en-UShttps://uncpress.orgDocumentary photography; documentary writing; documentary sound; documentary film; cinema; documentary after 1945; witnessing; image-text; temporality; documentary expression; psychiatry; Civil Rights movement; atomic bomb; labor; neoliberalism; pedagogy; political activism; post-WWII social movements; World War II; U.S. war in Vietnam; environmentalism; war trauma; deportation; slow time; ecocrisis; images, materiality of; counter-documents; Army Signal Corps; Richard Avedon; Guy and Candie Carawan; Rachel Carson; Freedom in the Air; John Hersey; Highlander Folk School; Historian’s Eye; John Huston; Robert Jay Lifton; National Immigration Youth Association; Keiji Nakazawa; Occupy; Milton Rogovin; Martha Rosler; Allen Sekula; Student Nonviolent Coordinating Committee; “Thanks to Berkeley…:; Frederick, [BLURB],[CITY],NC,books, ebooks, biblet, Book2look